The piece is a classic example of Impressionism, a movement Degas helped lead.
The Subject: Unlike many artists of his time who painted formal performances, Degas was fascinated by the "behind-the-scenes" moments. This scene captures ballerinas in a casual, unguarded moment in the wings of the Paris Opéra, adjusting their costumes before going on stage.
Perspective: Notice the high, slightly tilted vantage point. Degas often used "cropping"—where figures are cut off at the edges—a technique he borrowed from Japanese woodblock prints and early photography to make the scene feel like a spontaneous snapshot.
Technique: While this is a print, the original painting is known for its "impasto" (thickly applied paint), where Degas used visible, energetic brushstrokes to capture the fluffy, sheer texture of the tutus.
This particular work was historically significant enough to be included in the 1883 Pedestal Fund Art Loan Exhibition in New York, which was organized to raise money for the construction of the Statue of Liberty's pedestal.
